Gavin Bryars Ensemble, with members of Sonant Ensembe: Orlanda Bryars and James Cave
25 August 2012 | Enniskillen, Northern ireland
Note : Happy Days

Happy Days

For the new Samuel Beckett festival "Happy Days" I am performing my ensemble version of The Sinking of the Titanic as well as setings of poems by Samuel Beckett. I am writing these for memebrs of my ensemble and memebrs of Sonant Ensemble - my daughter Orlanda Bryars, soprano, and James Cave, alto. Tis will be the second collaboration between our two ensembles and the second work I have written for them.



"Celebrity Judge" for book award
24 May 2012 | Derbyshire Literature Festival
Note : East Midlands Book Award

East Midlands Book Award

Gavin Bryars will be the Celebrity Judge for the 2011 East Midlands Book Award in  May 2012 for the best book of 2011, and will chair the panel of judges. The award is an independent, annual award, which is being first awarded in June 2011 (for books written in 2010), to the best writer of fiction, creative non-fiction, or poetry. The aim is to promote writers who live in the East Midlands, to raise the profile of what is a thriving literary scene in the region, and to reward exceptional work. The trustees of the award are David Belbin, Ross Bradshaw, John Lucas and Jane Streeter, each acting in an individual capacity. This independent book award is administered by Writing East Midlands. 

Gavin was first contacted by the writer John Lucas who he had met at a performance of From Egil's Saga at Southwell Minster in 2004 - John Lucas has translated the poems of Egil's Saga. It transpired that John had also been the tutor of Gavin's friend and collaborator Blake Morrison when Blake was at Nottingham University.

http://www.writingeastmidlands.co.uk/awards/

 



Ars Nova, Vale of Glamorgan Festival
10 May 2012 | Vale of Glamorgan Festival
Note : Premiere of new Psalm setting

Premiere of new Psalm setting

 

A choral setting of a Psalm commissioned by Soli Deo Gloria for Ars Nova, condcuted by Paul Hillier



Gavin Bryars Ensemble
1 May 2012 | Vale of Glamorgan Festival, Barry Memorial Hall ("Memo"), Barry, Wales
Note : GB Ensemble at the Vale of Glamorgan Festival

GB Ensemble at the Vale of Glamorgan Festival

 

For this ensemble concert which opens the Vale of Glamorgan Festival, I an writing a new work for the smaller version of my ensemble - singers Anna-Maria Friman and John Potter, plus electric guitar, viola, cello and double bass. This new work will start the concert and in the first part there will be a collection of laude. In part two we perform my ensemble version oif The Sinking of the Titanic.

Programme:

New Work (2012) soprano, tenor, ensemble

Lauda 13 "Stomme allegro" (2003) soprano, tenor, ensemble

Lauda 19 "Omne homo" (2004) soprano, tenor, ensemble

Lauda 41 "De la crudel morte de Cristo" (2011) soprano, tenor, ensemble

It Never Rains (2010) - electric guitar, viola, cello, bass

Lauda 4 "Oi me lasso" (2002) soprano, tenor

Lauda 28 "Amor dolçe sença pare" (2004) soprano, tenor, ensemble

 

- interval -

 

The Sinking of the Titanic (1969-)

 

Anna Maria Friman, soprano; John Potter, tenor;

Nick Barr, Morgan Goff, violas; Nick Cooper, cello; Gavin Bryars, double bass; James Woodrow, electric guitar; Dave Smith, tenor horn/keyboard; Roger Heaton, bass clarinet; Martin Allen, percussion; Bob Burnell, sound.

 

 

 



Gavin Bryars Ensemble, with Philip Jeck
15 April 2012 | Barbican Hall, London
Note : Titanic (Forma)

Titanic (Forma)

 

A performance on the centenary of the actual sinking, with GB Ensemble, Philip Jeck, Gavin Bryars' four children, projections by Bill Morrison and Laurie Olinder, one of a number of performance organised by Forma.



Gavin Bryars Ensemble, with Philip Jeck
13 April 2012 | Birmingham Town Hall
Note : Titanic (Forma)

Titanic (Forma)

The first in a series of performances in the centenary year of the actual sinking, with GB Ensemble, Philip Jeck, Gavin Bryars' four children, projections by Bill Morrison and Laurie Olinder - one of a number of performance organised by Forma.

 

 



Lecture for festival "Off The Page"
24 February 2012 | 7.30 PM, Playhouse Theatre, Whitstable, Kent
Note : Off The Page

Off The Page

The Story of the Sinking of the Titanic: I will open the second edition of "Off The Page" with a talk that tells the story of a composition that commemorates one of the 20th century's defining events - in the 100th anniversary year of the sinking of the Titanic itself.

http://thewire.co.uk/articles/8173/

 



Victoria Symphony Orchestra
4 February 2012 | 8 PM, Alix Goolden Hall, Victoria Conservatory of Music, Victoria BC, Canada
Note : Orchestral Concert

Orchestral Concert

A performance of The Sinking of the Titanic by the Victoria Symphony Orchestra - in the version made for Aventa - directed by VSO Music Director Tania Miller. She also conducts the strings of the orchestra in The Porazzi Fragment, for 21 solo strings.



Aventa, with singers Benjamin Butterfield and Anne Grimm
3 February 2012 | 8 PM, Alix Goolden Hall, Victoria Conservatory of Music, Victoria BC, Canada
Note : Irish Madrigals

Irish Madrigals

 

The Irish Madrigals set J M Synge's translations of Petrarch, and Aventa will perform eight of my setings, with tenor Benjamin Butterfield and soprano Anne Grimm. I will play doub le bass in this performance.

It's particularly apt that these should be done in Victoria as it was in the University of Victoria library that I found an edition of the 17 Synge translations, edited by the poet Robin Skelton, who seems to have been responsible for the very fine Synge collection at UVic and who was involved with editing the complete works of Synge. I have set all seventeen of these.



performance of percussion ensemble work by Aventa
3 February 2012 | 12.30 PM, Alix Goolden Hall, Victoria Conservatory of Music, Victoria BC, Canada
Note : At Portage and Main

At Portage and Main

 

At Portage and Main was written for the French percussion ensemble Percussions Claviers de Lyon (PCL) in 2009, and is for five percussionists playing an large array of tuned and untuned instruments. The title refers to a street corner in Winnipeg, Manitoba, which is reputedly the coldest in North America..